Human face Drawing

There are aspects of anatomy drawing that are difficult for all artists. The representation of faces and heads, endowed with their essential attributes, from eyelashes to cheekbones, is sometimes a source of anguish because of the profusion of details to restore. It is necessary, for this exercise, to master the most elementary proportions of the head, knowledge which will be invaluable to you to refine the minor details such as the tip of the nose or the top of the ear. We will teach your kid how to Draw school drawing for beginners.

Perception of the face 

Fortunately, the acquisition of these proportions is within everyone’s reach. To begin with, facilitate your perception of the face with the help of a few essential points of reference. As long as you master these basics, you can apply them to your drawings to make stunning portraits or fill in your sketchbook.

Draw the landmarks of the face.

 If you observe a face, you can see that it divides horizontally into three thirds: the first, from the hairline to the eyebrows, the second, from the eyebrows to the base of the nose (at the birth of the philtrum, that dimple between the upper lip and the nose), and the third, from the base of the nose to the bottom of the jaw. Have fun measuring these distances on your face, and you will find that they are surprisingly similar. This division of the beginning into three-thirds is a great starting point for drawing a portrait.

Draw a portrait

Do not confuse the hairline with the top of the head. The top of the head is located a little higher than the hairline. As you can also notice, in profile or side view, the origin of the ear is found halfway between the front and the back of the head. One of the common mistakes is drawing the ears too far forward on the head.

Detailed instructions for drawing faces

To hone your face drawing skills, follow this tutorial. The more you repeat this easy exercise, the more you will make and correct head designs in the future.

Draw a simple circle

Start by drawing a simple circle or oval. Here is your head. Split this circle in half vertically, making sure to extend the vertical line well below the bottom of the process.

Location of the eyebrows

Now split the circle horizontally. This line will serve as a rough benchmark for the location of the eyebrows.

Show the hairline

Draw a horizontal line just below the top of the circle to show the hairline. Observe the distance between the latter and the brow line, and replicate it down twice to materialize three-thirds of the face. Then draw two perpendicular involvements from roof to behind, angled slightly inward, crossing the circumference of the circle at its far left and at its far right (the pink lines in the picture). These correspond to the lateral plane faces of the head.

Facing inward

Reproduce the pink lines shown in this illustration: two short diagonal segments crossing the brow line from top to bottom, facing inward and the center of the figure. Draw a condensed inverted triangle for the base of the nose (which is more precisely below the nose).

Eyebrows and the base of the nose

Draw, about a quarter of the distance between the eyebrows and the base of the nose, just below the eyebrow line, a horizontal line. Here is the eye line. Draw two more short segments diagonally: these are the pink lines, next to the right and left ends of the head. Oriented, on either side, outwards, these lines represent the outer edges of the orbital cavities, in other words the orifices of the skull provided for the eyeballs. Use the brow line and eye line you just drew to outline these segments. Their end should subscribe to the inside of the far left and far right edges of the head.

Bottom of the jaw

Using the eye line, check the distance between the diagonals you just drew and the vertical line in the center of the face (vertical green lines in the illustration). Divide these distances in half with two vertical lines on each side, as shown in blue. The sequence of mouth is then drawn about a third of the way from the base of the nose to the bottom of the jaw.

Centre of the irises

You now have precise locations for the corners of the lips and the center of the irises. The circles in the illustration give a rough idea of ​​the size of the irises—the hearing position the top of eyes the base of the nose.

line of the mouth

From the line of the mouth, draw a small arc for the upper lip and two curvilinear mini-lines, opposite, for the lower lip and the top of the protruding part of the chin. For the nose structure, add the strokes as shown (These strokes define the wings, not the back of the nose. As you will see in the example finalized drawings, the back of the nose is one of each person’s unique features. And there is no need to materialize it at this point.)

Draw the upper lids

Draw the upper lids of the eyes. They must cut the circles materializing the irises in their upper part. These lines should be neither too short nor too long. Take care of their arrangement as well as the proportions.

Three proportional diagrams

You now have three proportional diagrams that you can use as a basis for drawing a face. Freely use this image or the one you just created to draw over it in Adobe Fresco. Here are three examples of using our basic diagram above, with different haircuts and different anatomical elements.

Conclusion

By correcting the shape of the eyes, nose, lips and jaw, and the thickness and angle of the eyebrows, you can draw a multitude of faces using these patterns. The procedure exposed here can also be applied to different cranial morphologies to achieve realistic drawings or caricatures forcing the line and retouching and rearranging faces drawn by you that you would not be satisfied. 

By Darbaar

Anurag Rathod, as a blogger he used to spread all about app-based business, startup solution, on-demand business tips and ideas and so on.

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